Daniel Zeller continues to develop his intricate yet delicate works on paper. The visual language of these drawings is borrowed from many places, among them satellite images, electron micro graphs, topographical maps, anatomical and schematic diagrams — representations which might be generally categorized as two-dimensional translations of the three dimensional world. The imagery does not directly reference anything in particular. In a sense, the drawings become an act of digestion and regurgitation; reconfiguration driven by information overload.