Curated by Matthew Lyons
Jennie C. Jones re-contextualizes the material output of sound recording in order to explore how we listen and how sound operates physically and metaphorically. This new show centers on a sound score in three movements, titled From the Low, which is a digital “re-composition” from appropriated samples that operate in the psychological and emotional territory of ‘dark notes’, ‘deep chords’, and low frequency. Accompanying this sound score is a new series of “Acoustic Paintings” made with soundproofing materials (also known as absorbers and diffusers) typically used in audio engineering and studio recording. In transforming the resources and products connected to both the industry and act of listening, Jones’s work layers the formal languages of Modernism — abstraction and minimalism — over the conceptual and technical strategies of avant-garde jazz to extend and complicate these parallel legacies of experimentation.
Exhibition Hours: Tues-Fri, 12-6pm; Sat 11-6pm FREE