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Jessica Bronson, like transient day

Lombard-Freid Projects
518 West 19th Street, 212-967-8040
January 20 - February 25, 2006
Reception: Friday, January 20, 6 - 8 PM
Web Site

like transient day features L.A.-based Jessica Bronson’s newest works, including LED installations and multi-channel videos that derive from her interest in mediated experiences of nature.

like transient day, excerpted from William Blake’s Book of Thel, takes as its theme the clich├ęd subject of rainbows. The metaphorical and scientific meanings of color and language are juxtaposed as Pink Floyd meets Isaac Newton. Trained as a scientist, Bronson is interested in recapturing the awe that can be inspired by nature.

Begun as a collaboration with California Institute of Technology scientists, Bronson’s LED artworks are moving text-based installations which are read by the viewer peripherally. In perpetual perceptual (speculative spectrum) (2006), red, orange, yellow, green, blue and violet light sticks flash a text referencing Goethe’s investigations of color perception. Each color corresponds to a word; the sensuality of the different hues is experienced in association with the contemplative corresponding text.

A celebration of the more mystical and romantic nature of the rainbow, William Blake (2006) emits the seven colors of the rainbow as they descend vertically down the gallery walls. In Helen Keller (2006), an all-white LED flashes “remain colorless,” referencing Helen Keller and the ultimate culmination of the color spectrum. A work about color and its absence, Helen Keller is Bronson’s attempt to make the invisible visible.

Landscape and decay are explored in landing grounding finding founding (2004), a four-channel video installation which displays a continuous 10-minute tracking shot Bronson filmed as she walked through an overgrown streambed. On her exploratory walk Bronson captures the impermanence of the site from its pastoral green parts to its concrete industrialized sections. Bronson provides a mediated experience for the viewer as we follow her camera on an expedition to reclaim the indigenousness of the site.

golden itself (2004-6) is a documentary video triptych composed of unedited footage of an olive tree in Bronson’s southern Californian backyard. Bronson’s interest in the olive tree emerged when her neighbors defeated a developer intent on having the tree destroyed. The question of how to illuminate the meaning of the tree without over determining it inspired Bronson to shoot the tree from three focal points. The sense of close, medium and distant is reiterated by the ambient soundtrack performance composed by noted musician Mark Lightcap. The viewer never sees all the images simultaneously, rather they are asked to make an association between the absent parts and construct a whole picture.

Bronson has exhibited at ArtPace, the Walker Art Center, LA MoCA and the Pompidou Center. Recent exhibitions include Guardami, Percezione del Video, at Palazzo Delle Papesse Centro Arte Contemporanea, Siena, Italy; landing grounding finding founding at Museum of Contemporary Art, San Diego.
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