Collaborating for many years, the husband-wife artists are renowned for their documentary-style video installations and photography exploring the ramifications of political upheaval and modernization.

Working in their hometown of Bishkek, Kyrgyzstan, which has been the center of change and protest since the collapse of the Soviet Union and recent overthrow of the widely criticized administration of former Kyrgyz president, Askar Akayev, Kasmalieva and Djumaliev exhibit here their 2005 dual-channel video installation “Into the Future.” Filmed in Siberia, “Into the Future” offers a direct and thoughtful verification of the effects of change and transformation. Through the juxtaposition of slowly changing images of industrial wastelands and the matter-of-fact recording of people boarding a ferry, they offer a complex, non-ironic look into that ambiguous point at which the future becomes the present and how we cope with that.

In addition, Kasmalieva and Djumaliev present a selection of photographs from their New Menhirs series. Referencing the giant stone structures (or “menhirs”) that jut out of the ground, marking prehistoric burial grounds, throughout Central Asia, this series catalogs desolate, often destroyed landscapes of factories and their surroundings. Standing, like menhirs, as monuments to a lost epoch, the ghostly structures in these images symbolize the contemporary stagnation that has replaced the brighter future they once promised.