Jamie Allen prepares his take on the future office of 1984, integrating kinetic sculpture and sound installation. Kinetic, animated suitcases harken to employees of a heyday long since past, architectural-scale subwoofers use entire rooms as their resonating cabinet, and an office desk becomes a control center for a distributed aural landscape.

Meghan Trainor presents to the viewer mobile sculptural objects tagged with audio information. The interaction of objects, users, RFID readers and a database of sound reveal the intersection of design and data in physical space.