Dos Pestañeos has no idea where you came from but wants to show you something.

With its heart contemplating the fertile terrain of the in-between, Dos Pestañeos presents Every Last Day, an exploration into the potential of transitional reality. Perceiving the threshold as an intermediate space charged with possibility and quite possibly haunted, the collective has shaped an exhibition of magic, ignorance, illusion, uncertainty and pleasure. Without regard for classifications or dichotomies, the artists have instead worked within the “excluded middle”, the wish being to give breath to the complex, vital state of flux- a realm of the sacred, the taboo, and the mysterious. The shaman mediated between humans and gods, ghosts existed between life and death, werewolves between man and animal: this is the anti-structure of limbo, the capacity of every last day.

In this exhibition everywhere is the entrance and formality becomes a fiction. Unforeseen relationships emerge as the narrative continues to open. By physically pushing the boundaries of each artist’s work into the next, assumptions and architectures shift, perpetuating a community that shares and speaks together.

Included are works in a variety of media and methods: Andrew Ross includes anthropological scenes constructed from simple office paper. Leigh Horowitz creates drawings using a personal hieroglyphic system of charting dreams, while Vivienne Griffin’s text works remind us that powerful moments can be realized with very small statements.

Stay with us.

The artists included in Every Last Day: Reed Barrow (Chicago), Ben Fain (Miami), Vivienne Griffin (Dublin), Hope Hilton (Atlanta), Leigh Horowitz (NYC), Scott Lawrence (Atlanta), Vanessa Mayoraz (Geneva), David Prince (Los Angeles), Andrew Ross (Chicago); with performances and window installations by Mystic Order (Chicago/NYC), Terry Milledge (Atlanta) and Alex White with Lori Scacco (NYC).