Hee-Jung Hong’s self-portraits exploit photography’s ability to play with viewer expectations. Her impersonations of Asian stereotypes trigger competing responses: should one be seduced by the artist’s obvious beauty, simply attend to the images’ formal properties, or explore their political implications? As if viewing well-orchestrated media campaigns, this body of work leads one into one visual enticement after the next. However, given the absence of a slogan or sales pitch suggests that something different is afoot – that perhaps these are not impersonations, but rather Hong’s way of trying out her existential choices as she sees them.