Josef Albers / Donald Judd: Form and Color pairs together two seminal artists with very different theoretical approaches to color, but whose results were strikingly similar. It features 15 oil paintings by Albers from 1947 to 1967 and 11 sculptures by Judd from 1977 to 1994.

Judd held Albers in high esteem throughout his career, and Albers’ use of color was a great influence on him. Both artists’ also based their compositions on pure geometry, creating formal structures that allowed color to dominate. This intimate grouping of paintings and sculptures provides an in-depth analysis of both artists’ serial nature, their on-going fascination with color theory, and a remarkable awareness of the other’s creative output.