P.S.1 Contemporary Art Center is pleased to present a solo exhibition of paintings by Jack Whitten. This show prominently features his large-scale 2005 painting 9.11.01 that was made in response to the September 11th tragedy, as well as the Martin Luther King series that the artist made in the 1960s. Together, these bodies of work capture the emotional fervor of two defining moments in American history. Jack Whitten is on view in the Painting Gallery from May 24 through September 24, 2007.

Riffing on the motto, “blood, money, and oil,” 9.11.01 utilizes the pyramid from the U.S. dollar bill as its primary compositional element and incorporates a wide range of found symbolic imagery made from plaster molds and cast in acrylic paint to construct a collage. Measuring 10 feet high and 20 feet long, this mural-size painting nimbly balances abstraction and representation. The black triangular geometry can be read as a dark ziggurat, a monolithic form covered by smoke and fire.

Similarly, Whitten’s series of paintings inspired by the life and death of Martin Luther King, Jr., blend elements of abstract expressionism and figuration. While the works are inspired by Willem de Kooning’s “Woman” series from the 1950s, they also take into account the turmoil of the time—the atmosphere of struggle and protest of the Civil Rights Movement and the Vietnam War, as well as the four political assassinations of Dr. King, John F. Kennedy, Robert F. Kennedy, and Malcolm X.

Jack Whitten (b. 1939, Bessemer, Alabama) has been exhibiting his work for over 40 years. He has had a solo exhibition at the Whitney Museum of American Art (1974) and a ten-year retrospective at the Studio Museum in Harlem (1983). Recently his work has been featured in the group shows High Times, Hard Times: New York Painting 1967-1975 and Energy/Experimentation: Black Artists and Abstraction 1964-1980. Whitten lives and works in New York and Greece.

The exhibition is organized by P.S.1 Curatorial Advisor Phong Bui.