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ARTCAT



Lisa Kirk, Bonds of Love

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John Connelly Presents
625 West 27th Street, 212-337-9563
Chelsea
August 15 - September 24, 2005
Reception: Wednesday, September 7, 6 - 8 PM
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Featuring: Laura Anderson Barbata Fiona Banner Anne Collier Camille Norment Tara Mateik Josephine Meckseper Marilyn Minter Aleksandra Mir Kati Heck Laura Parnes Maria E. PiƱeres Goody-B. Wiseman Sherry Wong

An all female-artist exhibition curated by Lisa Kirk and created specifically for John Connelly Presents. Catalog available with texts by Lia Gangitano, Chris Kraus, Shelley Marlow and Lisa Jaye Young.

Inspired by Jessica Benjamin’s book The Bonds of Love, Kirk’s Bonds of Love investigates the historically problematic construction of the all-women exhibition. If one would like to raise some resistance to the fact that exhibitions excluding women [i.e.: Today’s Man, John Connelly Presents 2003] are rarely met with any question or stigma at all. This “sharpened awareness” of the “independent existence” of exhibitions delineated by traditional gender categories (all-male, all-female), and their reception (loaded, in the case of all-female; or ambivalent, in the case of all-male) is also part of Kirk’s project.

That an exhibition of women artists is tacitly presumed as a feminist project, while not necessarily a bad thing, is simply not always accurate. This type of exhibition making, however, does tend to force the question: are you, or aren’t you, a “feminist”—a question many women artists have tired of answering, as being a feminist, or making feminist art, are not even one in the same. Bonds of Love, perhaps, is just asking, in 2005, why.

Can Bonds of Love be something more than an all-women exhibition occurring in a predominantly male gallery? This resolute and awkwardly placed question furthers Kirk’s unabashed infiltration into to the social and cultural domain of exhibition-making - confronting its misimpressions head-on by assembling a diverse group of artists who each, in their own way, present experience-based works that demand consideration of the viewer’s role in supplying the answer - exposing the limits of active/passive spectatorship.

-Excerpted from “Lisa Kirk’s Bonds of Love”, Lia Gangitano, Bonds of Love catalogue, 2005.

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