Mireille Mosler, Ltd. is pleased to announce I Choose Darkness, Karen Yasinsky’s second solo exhibition at the gallery. Comprised of two films and various drawings, Yasinsky explores issues of manipulation, compassion, and desire in a style that ventures into surreal abstraction without confusing the delicacy and serenity of her compositions.

With an interest in memory, the reconstruction of narrative and recreation of character, Yasinsky uses Robert Bresson’s 1966 film Au Hasard Balthazar as a starting point for the works in this series. Yasinsky’s process operates in tandem with Bressson’s film: instead of actors, Bresson used ‘models’, people with no acting experience, rehearsed to remove personal emotions from their lines. Similarly, in Yasinsky’s stop-motion puppet animation, I Choose Darkness (2008-2009, 9 min.) – screened at MoMA in 2008 – the dolls contribute no interpretation of their own. Instead, expressiveness is found in raw imagery and sound, serving as residual, emotional documents, stripped from the film and imbued with the artist’s own visual and metaphorical associations. Characters from the movie, including Balthazar, the abused and soulful donkey and Marie, the sexual and conflicted protagonist, exist as a series of motions without resolution, nor a chance for redemption.

The stop-motion drawing animation, Enough to Drive You Mad (2009, 4 min.), is less dependent on narrative but equally charged. This time the characters are accompanied by the blind 1950s cartoon Mr. Magoo, who appears on the back of Balthazar or dances into space. The scenes erupt into abstract compositions, illustrating the different relationships as they collide and morph into one another.

The drawings in I Choose Darkness are executed in various media and techniques, allowing Yasinsky to experiment with materials, further extracting and eclipsing the original film stills. In this group of candy-colored drawings, an intricate and hermetic world is created, indicative of Yasinsky’s deep commitment to the evolution of her subject.

Yasinsky holds an MFA in painting from Yale University’s School of Art. Works related to L’Atalante were recently exhibited at The Baltimore Museum of Art, at The Sculpture Center in Long Island City and in a solo installation at the Wexner Center for the Arts in Columbus, Ohio. In 2002, the UCLA Hammer Museum presented a solo exhibition of Yasinsky’s Still Life with Cows.