Thomas Florschuetz’s exhibited work from 1994-98 emphasizes the body, yet his methods fragmentize and abstract the familiar.

A recent MFA graduate from Yale, Rashawn Griffin combines seemingly random two- and three-dimensional objects within casual yet carefully arranged environments.

Lynn Marie Kirby’s work, To Have and to Hold, experiments with light quality in emotionally and historically charged locations. Her site-specific film stock exposures manipulated within a digital platform explore the in-between of the two media.